Toward sunset I put aside whatever daily tasks remain and go out to see what I can see in a wilder place. Several refuges or wilderness areas are nearby. The wetland is nearest, and because it is open country it’s a good place to see birds and other wildlife. It’s a good place to stand  as present as possible to a day coming to an end.

The wetland is part of a bird refuge, quite wild in a way, though we live in days when all such places have become gardens, shaped by human activities and human intentions. Several agencies—federal, state and tribal—collaborate along with private landowners to agree on how the gardening should proceed. A map of land ownership shows a strongly checkerboarded view, though when one is in the middle of it, the abstractions are less compelling than what lives and moves there, such as the Trumpeter Swans, reintroduced a few years ago. The power lines that traverse the refuge have spinning reflective cards on them, to reduce the mortality of swans and other birds that have no nearly invisible cables running through the skies of their evolutionary history.

I took the photograph because I was moved by the peacefulness and harmony of the scene at last light. To the left, the western sky was a more dramatic interplay of vivid sunset colors. To the right, the jagged majesty of the Mission Mountains, purple sedimentary mudstone with white glaciers and pink clouds, was more of a spectacle. But the view to the north had a quietness that I found attractive.

Not that I’m naïve about the details hidden by the scale at which I focus on that panoramic view. The biology of earth is premised on death. Plants may eat the air (especially carbon dioxide), but most eating involves the death of something else. Among we creatures, we are always potential food for another member of the community.

Bloody in tooth and claw: Osprey with fish, Kingbird with insect, Red-tailed Hawk with baby skunk.

And yet, that’s never all we are. We recognize and respond to the beauty and the sense of calm which persists around and through the brief flurries of struggle. In shifting our focus from the struggle to the calm, we change the pulse and tempo of experience, as we do when we shift our focus back to this particular hawk tearing at the flesh of this particular skunk. Both are present to us only so far as we are present to them. This is the stuff we are made of.

True religion, I think, deals mainly with immanence. Spirit animates us, and we see that whatever we are we are distributed through a world in which objects and settings circulate through each other. I have a plug-in in my bag—Sibley’s field guide—which allows me to upload centuries of accumulated gleanings into the thoughts and desires already circulating amid the pink of the northern sky and the crisp slice of an osprey veering through the space just above me, the dead fish neatly aligned aerodynamically in his left claw. The breeze lifts my hair and brings me the spicy fragrance of hundreds of Russian Olives, blooming yellow. Making a photograph is one way to pray, to turn attention to the circulation of this world through me.